Saturday, February 18, 2012

Five Senses


Women are like a
Bouquet of many Colors
Each hue, size, and form pleasing
Detect their sweet fragrance
Taste their honeyed essence
Hear their gentle whispers
Touch their dream-like soft petals
Watch them Blossom.
by Ronald Dawson

Thursday, February 16, 2012

Sunset

Chandler, Arizona . . . 2012

This was taken at sunset from my patio-porch in Chandler, Arizona.

Palm trees and evergreen pine trees surrounding the lake.

Sunday, February 12, 2012

Fireworks (unedited)

Fireworks as a young woman looks skyward in amazement waves of rocking
bursts flowers blossoming revealing Singapore’s luminous lovely night.
Fireworks as a young soldier looks skyward  in astonishment waves of shocking
explosions lighten then shroud  Saigon's glowing deadly twilight.

The mimicry of a canon resounding she hears echoes the sound of life’s sharing
a flash of color a flower opens the vibration colliding with the night’s loving darkness.
The booming of a mortar  he hears echoes sound of death’s uncaring
a blast of heat a bright explosion colliding with the night’s hateful starkness.
Love fills the young woman’s palpitating heart each flower bursts into a lovely nesting
rumbling abounds she feels rolling sounds and sees skies heavenly light.
Fear fills the young soldier’s quick-racing heart each flash bursts into a lethal cresting
rumbling blasts he feels rolling sounds and sees skies hellish delight.

The beginning of desire wells-up as a bouquet of flowers reveal within her breast
surprise and wonder while she rejoices and in a beautiful display of fireworks, sees life.
The ending of all want fades away as shrapnel sinks deeply within-beneath his chest
disbelief and regret while he despairs and in a hostile display of fireworks, sees death.

by Ronald Dawson

Tuesday, February 7, 2012

On War, Erotic Allusions, and Other Cliches

No ducks were harmed during the writing of the novel or this blog.

Critics and other ne’er do wells often warn writers against over-use of erotic allusions, cultural stereotyping, and political incorrectness. Sorry, when used with grace, modest abandon, and a slight twist, I am a sucker (cliché) for exposed lust-filled thoughts (erotic allusions), tearful heroines (gender specific language), maudlin love scenes (come on, keep it real) and semi-heroic bad-boy figures (sexiness and a challenge for all women to tame) often portrayed in Literature and Art.

One of my favorite movies, perhaps clichéd, based on a true-story, is Taking Chance. Man or woman, if you do not cry while watching this story, check yourself for a heartbeat, you may be beyond redemption. As we know, redemption is a must 99.9% of the time.

Another of my favorite movies is Apocalypse Now. Talk about political incorrectness: the hateful Vietnam War, the incorrectness of "I love the smell of napalm in the morning," or lusting after Playboy Bunnies in Vietnam . . . these scenes are definitely not worthy of political correctness although I personally embrace them myself. As for the slaughtering of innocents, all I can say is thank God for all the Politically Correct politicians we had and have (only the names have changed) in Washington D.C., Hanoi, and other centers of political power.


Actress Teresa Denton . . . Susan
in Forrest Gump
Being a romantic, one of my favorite “character-characters” of all time, most beloved to me, is Lt. Dan’s (actor Gary Sinese), for story-line purposes, modestly sweet Asian fiancée Susan (cultural stereotyping) seen in the movie, Forrest Gump. If I remember correctly, she says two words, “Hello Forrest,” and has a three-second close-up with ten seconds of screen time. Think about her character, within the context of the story, and if you are a romantic, you will instantly fall in love with her, as I did.

The hope for me, besides the dual purposes of entertainment and escapism, is that you, Dear Reader, will find a character in Drunken Duck that you will fall in love with, too.